This Is Just To Say…

Over the years, a wonderful group of talented writers  contributed to making Author Expressions a special blog where authors shared information about books and writing. It is now time for us to end this blog and go our separate ways.

However, each of us does maintain our own separate blog, and so we hope that those of you who follow us will continue to do so individually. Wishing our readers and fellow authors the very best always.

Book Clubs

I belong to a book club, and I think I may be one of the oldest members. There are about eight of us that come regularly and range in age from late 20's to early 60's. The mix of ages makes book chooses varied and exciting. They also push me out of my comfort zone from time-to-time. Sometimes I let them, sometimes I just skip that book and enjoy their discussion.

A couple of months ago we read the memoir "The Last Lecture" by Randy Pausch, we all loved it and were inspired by it.  This month is a totally different genre, although it is based on a true story it falls into the thriller/horror arena for me. So, I am reading it in the daytime. "The Serial Killer Whisperer" by Pete Earley is based on a young man who suffered catastrophic brain damage and finds himself relating to murders. He reaches out to them, and they begin telling him their secrets. He also shares his life with them, which totally creeped me out. I'm not very far into it, so I am sure it will get worse before it gets better.

My point is, however, that book clubs are great for broadening your reading experiences. I would never have picked either of these books, I tend toward historical fiction, romantic suspense, mysteries, chick lit, YA and love a good family story. You know, the kind with quirky characters, comfortable settings, family drama, freaky friends, and who knows what else will peak my interest.

I was noticing the other day that our local independent bookstore has fourteen book clubs now. Each focuses on a different genre. That's where I get some of the ideas for books I want to read is from their chosen lists.

My favorite thing about book clubs is the lively discussions. Our club is pretty loose, in that we are not opposed to calling it a "dinner club" if no one has read the book. However, when the majority does read the book, we shared what we liked and didn't like. No censoring, whatsoever. If someone hates the book, we all talk about why. If someone loves the book, we discuss that also. Everyone brings a different perspective to the table, the story has touched them in unique ways.

I had the privilege of attending a book club as the guest author and heard from the readers what they liked and didn't like about my book. Boy, that was eye-opening. Not everything resonated with everyone and some things they noticed and commented on were not conscious efforts on my part when writing the story.

I highly recommend you participate in a book club. You make new friends, broaden your reading scope, and learn about yourself and how others are impacted by "story."


Enjoy the ride, my author/writer friends. Keep the reader in the back of your mind when you write.



Website: http://bdtharp.com
Facebook: Bonnie D Tharp Books
Twitter: https://twitter.com/BonnieDTharp 
Goodreads: https://www.goodreads.com/author/dashboard 
Amazon: Bonnie Tharp Author Page

Why Read (or Write) YA? By Jacqueline Seewald

 When I attended Rutgers University for my M.L.S. degree, I took the additional courses needed to specialize in becoming an educational media specialist—a fancy description for a school librarian. I took a course in children’s literature and another in young adult lit. Both courses required reading a huge number of books and reviewing them. However, I very much enjoyed doing this.

As to young adult literature, I often felt the novels were better written than many of those for adults, something our professor said as well. So it’s no surprise that I decided to write some of my own. As an English teacher at the high school level I taught novels like J.D. Salinger’s THE CATCHER IN THE RYE, Harper Lee’s TO KILL A MOCKINGBIRD, and Golding’s LORD OF THE FLIES. These are just a few of the classics of YA literature worthy of note. I believe every author should try writing at least one meaningful coming-of-age book.

My novel THE DEVIL AND DANNA WEBSTER has proved popular with readers. It was written for teenage girls, as was STACY’S SONG. But the truth is that adult readers can and do connect with these books as well.

Black Opal Books has now brought out WITCH WISH, my current YA novel. I think it will be a good read for adult readers as well as teens.

Here’s something about the book:

Val Williams believes she will never be as pretty or as popular as her older sister Ailene. When Ailene dumps her on an unfamiliar road after an argument, Val decides to ask directions of the only person she sees, an old woman engaged in a garage sale. Val purchases a music box which the old woman claims has magical qualities and will grant Val one wish. Val wishes that that her sister would stop being so perfect.

When Ailene starts acting weird, breaks up with her boyfriend, stops talking to her friends, starts dating a “bad” boy, and cuts classes, Val is troubled. Val begins to fear she caused all this to happen by making her wish. She suffers a guilty conscience. How she goes about setting matters right makes for some unusual complications and surprises.

Excerpt (prior to editing):

PROLOGUE

Central New Jersey, 1985

My sister Ailene pulled the car to the side of the road, reached over and opened the door on the passenger side.

“Get out right now!” Ailene spoke through gritted teeth.

“No way!”

“Yes, way. You’re an obnoxious brat. I don’t have to put up with you, and I won’t for another minute.”

Maybe I had gone a tad overboard in the rude department today, but she’d deserved it. I had to stand and wait while she giggled and gossiped with her airhead friends by the lockers for what seemed like forever. I stood there being ignored and feeling like a leper. Then finally when she finally turned to me all she said was: “Come on. Hurry up.” Like she’d done me this great honor giving me a ride home.

Now she was all indignation. Well, I wasn’t going to stand for it. “I’m not getting out of the car,” I said.

Unfortunately Ailene’s taller and weighs more than I do. She shoved me out, hurled my backpack after me and drove off, burning rubber. She didn’t even look back. So there I stood at the side of a rural road with no idea exactly where I was.

Ailene had veered off the main highway when traffic stopped. There’d been an accident on the highway. No way of getting through any time soon. That pissed her off too. She’s not the most adaptable individual.

It was a warm afternoon. I didn’t mind walking, but the road was totally unfamiliar. I’d have to travel back in the direction of the highway. From there, I could find my way. Maybe my sister had done me a favor. Anything was better than being around her. She found me annoying but I felt the same way about her.

 As I walked, I fantasized.

Cheerleader shot dead at football game--mystery as to who pulled trigger. As a student of journalism I considered this possible headline. Were I to murder my sister, I wouldn't want to be caught.

Don’t judge me in haste. If you had a sister like Ailene, you'd probably hate her too. I’d like to say Ailene was nasty, selfish and spoiled, but it wouldn't be true. I have my share of faults. Lying isn't one of them. The truth? Ailene was polite, intelligent, beautiful, and even charming—when it suited her.

So why did I hate her? Maybe because she was everything I wished I could be but didn’t think I ever would be. Someone like Ailene, who was so much better than most people, you envied, idolized or hated her. It wasn’t easy living in the same home with perfection day after day.

A house came into my line of vision. It was an old Colonial with white clapboard shingles and black shutters that had paint peeling. There was an old woman sitting in a chair with all kinds of items set out on folding tables in cardboard boxes. I guess she was having a garage sale. I figured I’d stop and ask for directions back to the highway. She was kind of creepy looking dressed all in black. But she was the only person around. So I walked over to her. She stood up, smiling through crooked yellowed teeth.

“I’m kind of lost,” I said.

She nodded. “I can see that.” She had dark, penetrating eyes. She studied me in an eerie way that made my blood freeze.

“Can you direct me back to Route 516?”

“Certainly. But first why don’t you look at these things I have for sale. They are unique.”

“Sure,” I said, figuring to humor the old gal.

I began looking around. She had a lot of weird stuff, old crap that I had no interest in. But I figured if I offered to buy something I maybe could get the directions quicker. So I glanced at the stuff on one of the tables. A polished wooden box caught my eye.

“I see you like my music box. Actually, I have a bit of a collection.” She picked up the box and wound it up. “It plays Fur Elise by Beethoven.”

I listened and liked what I heard. “How much does it cost?”

“Whatever you can afford.”

I was surprised. I checked the pocket of my jeans. I had some allowance money with me but there wasn’t much. “I’ve only got four dollars.”

“Just the right amount,” she assured me. “There is just one thing about the box itself.” She hesitated. “You see, how should I put this, the box has a certain unusual quality. If I bestow ownership upon you, the music box will grant you a wish.”

I blinked and stared at her open-mouthed. Clearly the old lady was a few slices short of a loaf.

“Sure,” I said, trying to appear agreeable and humor her. “Great.”

“You don’t believe me, do you?” She gave me a knowing smile. Then she laughed, except I swear it sounded more like a cackle. The wind lifted her long, steel gray hair giving her an otherworldly look. “It’s all right. I don’t mind. But I think I should warn you. Once you open the box and make a wish out loud, you won’t be able to take it back. You get only one wish, you understand. So think carefully about it. Make certain you wish for something you truly want.”

You can also read more about the novel here:

https://black-opal-books.myshopify.com/products/witch-wish

https://www.amazon.com/dp/B07DRB3VVH

https://itunes.apple.com/us/book/witch-wish/id1401568260?mt=11

https://www.barnesandnoble.com/w/witch-wish-jacqueline-seewald/1128937209?ean=2940162153894

Comments welcome!

How many characters are enough? by Susan Oleksiw

A few weeks ago I began work on what I thought would be a novella. The idea had been floating around in my head, drifting into view when I was looking for something to read in the library, balancing my checkbook, or opening the mail. That's how I knew it was a good idea, and decided to work on it as soon as I finished the edits of my next book.

The story went along well, probably because I'd had a lot of time to think about it and let it germinate. As the story progressed I jotted down notes as I went along, keeping track of new characters and events in each chapter. This week, when I scanned the list of them prior to writing the next scene, I wondered, did I have too many? How many is too many?

During revisions of some of my books I've combined characters, dropped others along with an entire scene or chapter, and generally streamlined everything. I wondered if I'd do that this time. But now that I'd raised the question, it kept coming back to me. How many was too many? 

In the Mellingham series featuring Chief of Police Joe Silva, I included a list of characters, which I continued for five additional books and then omitted from the seventh one. I don't recall my thinking and may have to revisit that decision. There are no lists in the Anita Ray books. Curious about the number, I counted characters in the Mellingham books.

In the first, Murder in Mellingham, I list seventeen characters, including Chief Silva and hint at more in the catch-all "and other residents of and visitors to the town of Mellingham." Yes, I was at the time heavily influenced by British mysteries, which up to the 1970s and sometimes beyond presented the reader with lists of characters, maps of villages, and even warnings about the accuracy of the chosen method of murder or its circumstances.  

In the novella that got me thinking about this, I have fourteen characters so far, and since I'm about halfway through, that will probably be the total. I avoid introducing people late in the narrative, unless this is a minor figure who barely deserves a name. Bringing someone onstage past the middle seems unfair to the reader in my view. So, I have fourteen. Murder in Mellingham had seventeen, and I'm sure the first Anita Ray, Under the Eye of Kali, had at least that. In the first book in a new series, Below the Tree Line (coming in September), I have twenty-three individuals plus a number of animals. So, too many? Not enough? Just right?

I keep the list readily at hand, and will soon transfer each character to a notecard. Some will fade and become less and less important as the story nears its end, and I may fold one or two into a single person, or drop one or both altogether. So far I haven't made the mistake of giving everyone a name beginning with the same letter. (I made that mistake and didn't notice until an editor pointed it out.)

The easiest way to determine the worthiness of a person on stage is to identify exactly what he or she is contributing. What information is this one delivering? Unless each one is dropping a clue about another character, the murder weapon or method or motive, or some other crucial aspect of the crime, that person has no purpose. I can already see one who could lose his name and perhaps his usefulness. And I see another who has done nothing since the opening chapters. Already I'm reducing the number possibly by two.

There is no one answer to how many characters are enough. But asking the question is important for the development of the story, keeping it clean and well paced while also creating a richly imagined narrative that draws in the reader. How many characters do you have in your stories?

Coming in September, Below the Tree Line (Midnight Ink) follows a farmer and healer in the Pioneer Valley, in central Massachusetts. Felicity O'Brien enjoys the quiet life of her family farm until strangers take a sudden interest in her land.

Mystery/Crime Fiction: Yesterday, Today and Tomorrow by Jacqueline Seewald

During the holiday season this past year, a good friend who also reads and writes mystery fiction gifted me a copy of THE GOLDEN AGE OF MURDER by Martin Edwards which I appreciated.The book got me thinking about what I want to discuss in regard to mystery and crime fiction.

The traditional mystery features a detective or several detectives who investigate a crime or series of crimes. The amateur sleuths can work in any number of unique and unusual professions which provide interesting background and setting for the story. They can live in any place in the world. They can be nosy spinsters who live in small English villages or gifted professors who investigate bizarre historical crimes. From cozy to thriller, the amateur sleuth fascinates readers.

The private detective novel is a mystery genre unto itself. In 1887, Sir Arthur Conan Doyle created Sherlock Holmes, the most famous of all fictional detectives. Sherlock Holmes was not the first fictional detective. However, his name is one we think of immediately. Conan Doyle stated that the character of Holmes was inspired by Dr. Joseph Bell, for whom Doyle had worked as a clerk at the Edinburgh Royal Infirmary. Like Holmes, Bell was noted for drawing large conclusions from small observations.  The quirky Holmes was renowned for his insights based on skillful use of observation, deduction and forensics to solve puzzling cases. Conan Doyle wrote four novels and fifty-six short stories featuring Holmes, and all but four stories are narrated by Holmes's friend, assistant, and biographer, Dr. John Watson. The Sherlock Holmes mystique is still celebrated today in books, short stories, films and television programs. Holmes, the “consulting detective,” still fascinates a modern audience of devotees.

The Golden Age of Detective Fiction, the 1920’s and 30’s, brought many writers of detective stories to the forefront. British female authors like Agatha Christie are particularly memorable. Of the four "Queens of Crime" of that era: Christie, Dorothy Sayers, Ngaio Marsh and Margery Allingham, all were British except for Marsh who was a New Zealander.

In the 1930’s, the hard-boiled private eye novels began to evolve with American writers. Over the years, many interesting writers have emerged in this genre. Dashiell Hammett, Raymond Chandler, Mickey Spillane, Ross Macdonald, and Robert Parker are just a few of the writers who still resonate with readers. P.I. detectives are tough guys dealing with seedy characters on the mean city streets, the so-called underbelly of society. They are professional detectives who live by a code of honor but rarely earn much for their efforts. They generally have antagonistic relationships with the police and, like the amateur detective, tend to be more intelligent than professional law enforcement counterparts. The P.I. novel was male-dominated until the late 1970’s and early 80’s when writers such as Sara Paretsky, Marcia Miller and Sue Grafton began creating women investigators who were as tough as men. These novels offered more in-depth characterization and, in the case of Paretsky, a social agenda.

The police procedural provides the reader with a different type of detective story. In reality, most crimes are investigated by police. This type of mystery stresses step-by-step procedures followed by professional detectives such as processing crime scenes to collect physical evidence, canvassing the area for witnesses or suspects, postmortem examination of bodies in the case of murders, identifying a victim if that is not known, and interviewing known friends, co-workers, relatives and associates. The list is often long and tedious. Not generally so in a novel. Although it is agreed that the police procedural should be accurate in portraying what law enforcement officers actually do, it is not necessary to bore readers to death. Like the P.I. novel, this is action-oriented genre fiction. While the plot may be the backbone of a police procedural as O’Neil De Noux, a longtime police officer and homicide detective, observed in an article written for The Writer (“How to Write the Police Procedural Novel,” October, 1992 issue), the novel won’t interest readers unless there are well-developed central characters-- witness the great success of Ed McBain's 87th precinct series in books, film and as a television series.  Much of the appeal of the novels rest with main character Steve Carella and his relationship with Teddy, his deaf-mute wife, as well as his interaction with fellow police detectives such as Meyer Meyer.

Distinctive places also add interest to the modern police procedural. For example, moody Scandinavian settings have provided bleak backgrounds for the investigations of Inspector Martin Beck (Sjöwall and Wahlöö in the 1960’s) or Wallander  (Henning Mankell) and more recently Inspector Tell (Camilla Cedar).

It goes without saying that all books should be researched for accuracy of detail. However, Eric Wright observes (The Writer, October 1990 issue, p. 9) that writers should do their research last. His reasoning: once a story is written the writer will know what information is actually needed and necessary. Collecting unnecessary facts proves to be a waste of valuable time. I am of the opinion that it also leads to information dumping as many writers then cannot resist the temptation to include material that should be cut and which has no purpose in the book or story.

Of course, the more traditional view is that authors who write police procedurals must insist on total accuracy. Margaret Maron, for instance, has explained how she used interviews with police detectives and civil service clerks, attended “criminalistics” classes and took notes on the trivia associated with everyday police activities in a station house to depict realism in her police novel series (The Writer, June, 1993 issue).

Patricia D. Cornwell’s novels have long graced the bestseller lists.  Her Dr. Kay Scarpetta forensic pathologist crime novels are strongly associated with her own career. Cornwell describes herself as having been a crime reporter. The character of Dr. Scarpetta appears to have been initially inspired by an interview she had with a female medical examiner. She went to work for the medical examiners and eventually became their computer analyst. Her opinion: stories that lack credibility and authenticity will be unread (The Writer, December 1991, p. 18-20).

P. D. James is another author of police procedurals we can describe as the real deal. James held a position as a senior employee in the Criminal Policy Department in England. Joseph Wambaugh has given us some memorable characters who happen to be police officers based on his personal experience and knowledge. 

Cross genre fiction combining elements of romance, the paranormal, and suspense with mystery have become more common in today’s crime fiction. I believe this less traditional approach is becoming a trend in modern mystery fiction. The traditional lines are blurring and authors are experimenting with a greater variety of style and technique in a genre that is now more dynamic, fluid and exciting. What remains the same is the need for a well-developed plot, well-rounded and well-defined characters, and a distinctive setting.

My latest novel DEATH PROMISE from Encircle combines elements of mystery thriller with romantic suspense. Set in Las Vegas, New York and London, the pace is fast-moving and exciting which is more typical of the modern crime novel and appealing to today’s readers who do have a shorter attention span.

For more about the novel, check it out here:

http://encirclepub.com/product/death-promise/

DEATH PROMISE is now available  in print and e-book from:

https://www.amazon.com/dp/B079VWPTVF

https://www.barnesandnoble.com/w/death-promise-jacqueline-seewald/1127590013?ean=9781893035942

and many other booksellers.

Positive reviews are starting to be posted:

Library Journal: 

"Romantic suspense with an interesting plot...the plot kept this reviewer turning the pages."

Your thoughts, input and comments welcome and appreciated!

Writing Thoughts, Dreams and Reflections

I just finished reading Alice Duncan's blog below, and boy did her words resonate with me. Alice edited my first novel, "Feisty Family Values" and she was a guest on my blog a few weeks back (http://bdtharp.com). She's a delightful lady, and when we discussed her guest blog, she actually remembered my book. That was eight years ago, and I think she is lovely to say so. I love reading her stories and understand her feeling the loss of joy with writing from time to time. She was wise to edit and do other things to prevent her totally giving up the craft. She is inspiring. 64 books, WOW!

As you may recall, I wrote about retirement a month ago, and today was my first day of being emancipated from my day job. It was a good day, to be sure. I woke up early as was able to beat the heat and water flowers, mow and weed a little. A very productive morning. After cleaning up and making lunch, I lay down to read and fell asleep. Napping in the afternoon is very lovely, I could get used to that - especially in this heat.

My list of "things to do" is very long, but at the top is to write! Blog. Read. And write some more. It is part of the plan, my new daily routine. I'm sure you've noticed that we humans are creatures of habit. Writing is my returning habit. It's not fattening. It won't make me sweat (I don't think). It can be loads of fun. And when it's not, then it's time to go out and weed the garden, pick up a book to read, call a friend, take a walk, or sit on the patio enjoying the birds.

Like Alice, I was not able to make a living with my writing. There are only a dozen or so extremely wealthy writers, many who just get by, and most of us make a little bit to support our book buying addiction. Since the paychecks will not be coming anymore, I am going to finish reading what is on my shelves, supplement it with the e-books on my Kindle, and go to the library. Working all the time left little time for shopping at bookstores or perusing the shelves at the library. Amazon made it WAY too easy to just download a book on the Kindle in minutes.

I remember spending hours in the library and the bookstores looking at everything on the shelves. Reading dust covers and admiring book cover art. Do you remember the smell of all those books in one place? The smell of paper, glue, and dust. I loved walking through the old books with their musty leather aroma. Time to go back and enjoy those sensations and perhaps revisit some classic novels. It's been years since I've read a book multiple times, with some notable exceptions - "To Kill a Mockingbird" is still my all-time favorite. It's time to reread it, I'm sure.

There are so many excellent new novels, too. Millions are printed every year. I don't think I'll get them all read, but I will make a path through the tomes. And I will add to the numbers of good books out there with my own. It feels like we authors are very alone, but really we are part of a vast crowd. Thanks for being there, fellow writers. It's nice to know you are out there, too.

Website: http://bdtharp.com
Facebook: Bonnie D Tharp Books
Twitter: https://twitter.com/BonnieDTharp 
Goodreads: https://www.goodreads.com/author/dashboard 
Amazon: Bonnie Tharp Author Page

Have You Ever Wondered… by Alice Duncan

I have the privilege of welcoming Alice Duncan to Author Expressions again. Alice is both a mystery writer and romance author as well as an editor. In fact, she edited seven of my novels for Five Star/Cengage and remains my favorite editor.

Have you ever wondered how nice it would be to make a living by writing books?

Me, too. All the time. I’ve been in the book-writing and being-published business since 1994, and I still can’t make a living at it. It makes me sad sometimes. Often, in fact.

On the other hand, I kind of am making a living thanks to my many published books (I think there have been 64 of them so far). That’s because, since so many books of mine have been published, people think I know what I’m doing. Therefore, I’ve been hired by Cengage/Five Star as a freelance editor. So, in effect, my writing has paid off; just not in the way I’d hoped it would.

Since I’m too stubborn (or too stupid) to give up, I keep writing books anyway. The last few years, writing hasn’t been fun for me. When I first began writing books, I had high hopes that I’d become, if not rich and famous, at least self-supporting via writing. That hasn’t happened, although there have been a few high points along the way. My very first book, One Bright Morning, won the HOLT Medallion for the best first book published in 1994. That made me happy. I stopped entering contests shortly after that, however, because it was too expensive. Also, although many people are likely to dispute this, I honestly don’t think you can judge one book as being better than another book, unless you’re talking about English usage, etc. Not everyone likes the same things. If you loathe historical romances, chances are pretty good you won’t like One Bright Morning. If you prefer a tearjerker to a funny book, you definitely won’t like my books. Speaking of that, I was very nearly dismayed to discover I’m funny whether I mean to be or not.

In fact, when my first book (the above-mentioned One Bright Morning) was published, a former teacher of mine was so thrilled, she asked me to read some of it in front of an audience at the South Pasadena Public Library. I gladly agreed, feeling pleased with myself and my book. So I read the very first sentence in OBM, and everyone laughed. I was shocked! It wasn’t supposed to be funny! That book was a heart-wrenching emotional saga of a lonely widow-woman with a little daughter who inadvertently got mixed up in a range war and ultimately found true love.

Funny?

Not on your life! However, since that time, I’ve come to accept my writer’s “voice,” as it’s called, as my own. Can’t do much else, since evidently I write the way I talk. Many people have told me that, so I guess it’s true.

After my initial exuberance had dwindled (which took 15 or 20 years) I began to find writing books more of a chore than a joy. For me, editing somebody else’s book is much easier than thinking up a bunch of characters, developing a plot, and painstakingly putting it all down on paper for 80,000-100,000 words. That’s a lot of words. It takes a long time to write that many words if you want them to be placed in coherent English sentences and in a logical order. Yet people can read all those words in a day or even in a few hours. Hardly seems worth the effort. Even if you can then get those words published as a novel, you won’t make much money for it unless you’re Stephen King, Nora Roberts, James Patterson or someone who twinkles in the same galaxy as they. Mind you, I don’t begrudge Stephen King or Nora Roberts their fame and wealth. Not so sure about James Patterson, but that’s only my opinion. Clearly not many other people agree with me.

However, my writing life has taken an upturn of late. Not that I’m making any more money, mind you. But a man whose books I edit for Five Star’s Frontier Fiction Line has lent me one of his characters! Peter Brandvold, who writes excellent westerns full of adventure, sex and violence, gave me Lou Prophet, an old-west bounty hunter to play with in my next book. The book in question is Shaken Spirits, an historical cozy mystery, and it’s set in the solidly respectable city of Pasadena, California, in 1925. Poor old Lou is past his prime, being in his seventies, and has managed to lose a leg, so he walks on one leg and a stump. He lost his leg when the motorcar in which he rode (along with two women of the night and a crate of bootleg liquor) took a dive off a cliff in Santa Monica. Lou was the sole survivor, although he did lose a leg, and he’s now confined to the Odd Fellows House of Christian Charity in Pasadena.

Things get interesting from then on. My main character, Daisy Gumm Majesty, finds the crusty old Lou Prophet quite an interesting fellow. Her fiancé, Detective Sam Rotondo of the Pasadena Police Department finds him interesting too, but he’s not as enchanted with the old reprobate as is Daisy. Anyway, thanks to Peter Brandvold and Lou Prophet, I’m actually having fun writing again! I didn’t think that would ever happen, but I’m so glad it has. Mean Pete (he calls himself that; I’m not casting aspersions) has gifted me not merely with Lou Prophet, but also a ton of fun old-west sayings Lou uses, thereby confounding poor Daisy, who eventually decides to create a dictionary of old-west terms.

I don’t expect to begin making tons of money through my books any time soon, but at least the joy of putting words on paper (virtually speaking, since I write books on my trusty computer) has returned, and it’s all thanks to Peter Brandvold.

In case you’re interested in the book in which Lou Prophet appears, you can pre-order it on Amazon. Just click on link underneath the book cover:

Pre-order SHAKEN SPIRITS

If you want to read Daisy’s latest adventure, in which her dachshund, Spike, finds a shoe with a foot in it at the Mountain View Cemetery in Altadena, California, you may do that, too:

Buy SPIRITS UNEARTHED

If you’re interested in visiting my web site, here’s the link: https://www.aliceduncan.net/

If you’re interested in visiting Mean Pete’s Amazon page, here’s the link for that:

Mean Pete (aka Peter Brandvold)

Thank you!